Amanda Osborne

Amanda trained at The Webber Douglas Academy in London.


Theatre roles include: Emma in Edward Taylor’s Murder by Misadventure, Amanda in Noël Coward’s Private Lives, Rose in Lucy Kirkwood’s The Children, Alice in Florian Zeller’s The Lie, Pamela Peabody in Ken Ludwig’s Fox on the Fairway, Mimi in A.R. Gurney’s Black Tie, Charlotte Payne-Townshend in John Morogiello’s Engaging Shaw, Veronica Fairchild in Rich Orloff’s A Capital Affair, Camille in David Foley’s Deadly Murder, Liz in Alastair Beaton’s Feelgood and Patty in Arthur Miller’s The Last Yankee, all for Vienna’s English Theatre.

Further stage credits include: Lady Capulet in Romeo and Juliet (Dubrovnik & Bermuda), Madame Hortense in Anouilh’s The Orchestra (Omnibus Theatre), Edna, Lynette Saxon and Arabella Lazenby in Ayckbourn’s trilogy Damsels in Distress, Mrs Sparsit in Stephen Jeffries’ Hard Times (Pitlochry Festival Theatre), Lady Loxfield in JB Priestley’s They Came to a City (Southwark Playhouse), Mary Titterington in the stage adaptation of James Kennaway’s epic Tunes of Glory (Middleground Theatre UK tour), Susan in Mike Leigh’s Abigail’s Party (UKTT), Anna in Patrick Marber’s Closer (London Classic Theatre Company), Lampito in Germain Greer’s version of Lysistrata (BAC) and for London Shakespeare’s Globe she performed in All Places That the Eye of Heaven Visits, in Westminster Abbey.

Amanda is delighted to be back working in her favourite theatre, with Philip Dart, Vernon Marshal and the brilliant team in Vienna.