Mark Howland

Lighting Designer

Mark is based in the UK where he studied at Oxford University prior to training in Stage Lighting Design at RADA.
Previous lighting designs include Carmen (Dorset Opera), Pressure Drop and On Religion (On Theatre), Parallel Electra (Young Vic), Cider with Rosie and The Merchant of Venice (Theatre Royal Bury St Edmunds), The Kreutzer Sonata and Vanya (The Gate Theatre), High Life (Collective Artists), Tête à Tête the Opera Festival (2007 – 2009 Tête à Tête), Monsters (Arcola Theatre/Strawberry Vale), Finkelstein’s Castle and Johnny’s Midnight Goggles (SharpWire), The Barber of Seville (Armonico Consort), The Home Place (Lyric Theatre, Belfast), A Number (Salisbury Playhouse), Oliver Twist and La Ronde (Love and Madness), Topless Mum (Tobacco Factory), Haunted (Only Hope Productions), Lemon Elegy (Jermyn Street Theatre), The Pains of Youth (Belgrade Theatre), The Taming of the Shrew (Watermill Theatre & The Old Vic), Jeff Koons (ATC), Bash, Latterday Plays (True/Fiction Theatre Co.) and Pippi Longstockings (Dragon Black Productions).

Mark has also been a guest lecturer and tutor for RADA (where guest designs include The Man of Mode and The Last Days of Judas Iscariot), National Youth Theatre and East 15.