Tim Hardy

Peter George

Tim trained at RADA. Theatre credits include Henry V and The Marat Sade (RSC and Broadway, with film); Henry IV and Henry V (Prospect Theatre at the Roundhouse); Mary Barnes (Royal Court); Melon (Haymarket); Lysistrata (Wyndhams); Fiddler on the Roof (Her Majesty’s Theatre); Judy (Strand Theatre); Mephisto (Roundhouse); Peer Gynt (BAC); Molière (Gate Theatre); Cavafy (King’s Head); The Shrew (Open Space); Mad and Her Dad (Lyric Hammersmith); Macbeth and The Norman Conquests (Oxford Playhouse); Rosmersholm and Tartuffe (Bristol Old Vic); The Merchant of Venice, Catch 22 and Every Good Boy Deserves Favour (Leeds Playhouse); Rosencrantz and Guildenstern Are Dead (Newcastle Festival); The Winter’s Tale and Romeo and Juliet (in US for A.C.T.E.R.); Shoot-up at Elbow Creek, Redevelopment, The Good Woman of Setzuan and Dona Rosita the Spinster (Orange Tree Theatre, Richmond).

For Music Theatre London: The Magic Flute, Figaro, La Cenerentola, Don Giovanni. In Vienna, Tim sang Don Magnifico in La Cenerentola, played Michael in Someone Who’ll Watch Over Me for Vienna’s English Theatre and played the Spartan in Sir Peter Hall’s production of Lysistrata. Tim plays Vladimir in Waiting For Godot for the Godot Company.

TV credits include David Manners in Eastenders; Arthur Taylor in Oscar Wilde; Ross in Macbeth; Jesus in The Folk Singer; Doctor in The Wife of Bath and the title role in Galileo to be shown in September.

Films include: Captain Corelli’s Mandolin, The Duellists and Nothing But the Best.

Directing credits include: Les Liaisons Dangereuses and Rebecca (Vienna’s English Theatre), The Merchant of Venice and The Royal Hunt of the Sun both in America.

Tim has narrated over 200 programmes and series for The History and Discovery Channels and teaches and directs at RADA where he is also on the audition panel.